An Alternative View On Punk Visual Language - 1308 Words

Example Five – Sniffin’ Glue Punk Fanzine, Issue No. 2 Offering an alternative view on punk visual language that is outwith both cover art and fashion is the amateur ‘punkzine’ (punk fanzine) Sniffin’ Glue, in particular issue number two. This primary source is built on the foundations of DIY values. With low production costs, the punk fanzine was created using felt tip pens for headings and a type writer for some of the included articles. Rough sketches were included throughout with no value placed on spelling or grammar at any point in the production process. Due to the low production cost, these fanzines were affordable and therefore accessible to anyone that was interested. This level of accessibility allowed an interested audience†¦show more content†¦The collaboration of hand drawn sketches with real life photograph allow this album to stand out through use of bricolage. The bringing together of two different art forms in one gives the album an interesting edge. The bright pink, bold lettering showing t he band name ‘Ramones’ allows the album to stand out through contrasting. The use of bright colours such as yellow or pink were often used in punk imagery in order to make the colour objects stand out, making more of a statement. Having the band name appear with such importance, demanding recognition means the album does not go unnoticed. Pink is often seen a feminine colour and so the use of this in such a bold hue may be act of rebelling against what is expected of men, by embracing a sense of femininity and/or neutrality and bringing this together with an image showing the band looking carefree. The album exudes juxtaposition with this appearing between monochrome and colour, image and drawing and femininity and masculinity. Punk and The Work Place For many of those within the punk subculture, negotiation between the expression of their punk identity and expectations of the roles they had to play in their working environment were forced to take place. With the chance of restrictive rules in place, limiting self-expression, it can be difficult for a person to feel content in their work placeShow MoreRelatedHeavy Metal Music7270 Words   |  30 PagesPurple  attracted large audiences, though they were often critically reviled, a status common throughout the history of the genre. In the mid-1970s  Judas Priest  helped spur the genres evolution by discarding much of its  blues  influence;  Motà ¶rhead  introduced a  punk rock  sensibility and an increasing emphasis on speed. Bands in the  New Wave of British Heavy Metal  such as  Iron Maiden  followed in a similar vein. Before the end of the decade, heavy metal had attracted a worldwide following of fans known as metalheadsRead MoreThe Origins and Develo pment of Electronic Dance Music and Contemporary Nightlife Musical Culture4166 Words   |  17 PagesRaymond Scott were both looking into basic electronic sequencing, however it was Buchla that had the initial breakthrough. Before then, artists were manually cutting up and splicing tape together to achieve sequences and Buchla found an electronic alternative and soon developed his electronic sequencer. This meant that artists would no longer need to go through the time consuming process of cutting up tape for sequencing. Buchla said,â€Å" you could simply take my sequencer and set the time and the pitchRead MoreImpact of Science on Society38427 Words   |  154 Pageslooking at that first. 4 The Legacy of Science Let me look at the envelope from a very basic point of view, that of the neurophysiology of raw perception itself. Forgive me if it’s a bit oversimple. Take me-on the back of your retina I’m upside down, focused at the center but fuzzy at the edges, two-dimensional, a barrage of photons releasing rhodopsin and triggering neural impulses along the visual nerve. At the same time, the pressure wave I’m setting up right now with all this talk is causing littleRead MoreImpact of Science on Society38421 Words   |  154 Pagesat that first. 4 The Legacy of Science Let me look at the envelope from a very basic point of view, that of the neurophysiology of raw perception itself. Forgive me if it’s a bit oversimple. Take me-on the back of your retina I’m upside down, focused at the center but fuzzy at the edges, two-dimensional, a barrage of photons releasing rhodopsin and triggering neural impulses along the visual nerve. At the same time, the pressure wave I’m setting up right now with all this talk is causing little